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This poor dude is waiting for his date for the prom unknowing he is being watched by the crew of a hit TV show

The tides coming in, hurry up dude.

Tide got him but he’s ok.

He’s texting his girl but she’s not showing up. Is she standing him up?

His best bud just showed up to help him.

Tide is really coming in now, he’s on the phone. Things are getting frantic.

Will she arrive in time? We’re gonna give him a round of applause if she says yes and arrives.

OH NO!

CREW IS ENCOURAGING HIM TO RE-DO HIS WORK. WE’RE SHOUTING “DO IT!”

HE IS RE-MAKING THE MESSAGE! I REPEAT! HE IS REMAKING THE MESSAGE!

WE HAVE RECIEVED WORD THAT THE GIRL IS ON A TREASURE HUNT IN THE CITY
AND THIS IS THE FINAL LOCATION. HIS FRIEND IS STALLING FOR TIME.

UPDATE: BEACHGOERS HAVE JOINED IN TO HELP THIS BOY REBUILD HIS MESSAGE TO THE GIRL! HIS FRIEND HAS JOINED IN AS WELL.

IT’S ALMOST DONE! THEY MIGHT MAKE IT!

THE MESSAGE IS COMPLETED! THE QUESTION IS NOW “WILL SHE SAY YES?”

BRO OF THE YEAR JUST BROUGHT A GIRL. I THINK THIS MAY BE IT!

I THINK THIS IS IT!

SHE’S APPROACHING!

YES! THE ANSWER IS YES!

OUR CREW IS CHEERING FOR THESE TWO.

raedmagdon:

Cool things to give your female protagonist other than a bland, “standard” male love interest:

a supportive friend

an enemy with understandable motivations

a badass weapon

a complicated backstory

a supportive sibling

a rival sibling

a child

an ex she doesn’t get back together with

a mental illness she copes with

a disability that isn’t the point of the story

a cryptic prophecy

contrary motivations

a wise mentor

a rich gender identity

practical adventuring clothes

a peanut butter and jelly sandwich

a female love interest

(or, hell, a nonbinary or trans dude love interest, don’t see many of those either)

incandescent-creativity:

whatsanwritepocalae:

writingisfancylying:

How do you write creepy stories

  • Over describe things
  • Under describe things
  • Fingers, teeth, and eyes
  • Short sentences in rapid succession build tension
  • Single sentence paragraphs build dread
  • Uncanny valley=things that aren’t normal almost getting it right
  • Third person limited view
  • Limited explanations
  • Rot, mold, damage, age, static, flickering, especially in places it shouldn’t be
  • Limited sights for your mc -blindness, darkness, fog, refuse
  • Real consequences
  • Being alone -the more people there are, the less scary it is
  • Intimate knowledge, but only on one side

I don’t know I just write scary things but I don’t know what I’m doing.

Rule of Thumb: your reader’s imagination will scare them more than anything you could ever write. You don’t have to offer a perfectly concrete explanation for everything at the end. In fact, doing so may detract from your story.